Olive Octopus handwritten text with sketch of octopus

25 Memorable Inks in 2025

With this annual series of posts I give myself one more slot each year for a memorable ink, but with over 300 entries added to my Fountain Pen Companion ink collection list in 2025, it's still not easy. As a reminder, this is a list of memorable inks from the year—they may not have been released in 2025 and are not necessarily the best or my only favorites, they are just the ones that have stuck with me for one reason or another and became part of my story in 2025.

Floral coloring book page colored in with fountain pen ink with list of inks used and many fountain pens spread across a desk.

I think my "currently inked" pens at any given time can only be described as colorful chaos. The opportunity to color in a page in the traveling Amarillo Stationery coloring book last year was very cool, and this list of inks is not a bad snapshot of what was catching my attention in 2025.

Ink #1 Akkerman #24 Zuiderpark Bluaw-Groen

With Akkerman the bottle is a significant part of the ink experience, and of course I wanted one but I was having a hard time picking out a color. Well, a friend fixed that problem for me by surprising me with a bottle, and I love the color. There is a marble in the neck of the bottle that allows you to tip the bottle upside-down to fill the top with ink, then the marble holds the ink there to make it easy to fill a pen even as the amount of ink is reduced with use. Tilting the bottle at an angle allows the ink to return to the bottom.

A tall Akkerman ink bottle with the signature long neck and faceted base filled with dark blue green ink, next to an ink swatch for Akkerman #24 Zuiderpark Bluaw-Groen.

Ink #2 Ka-Ku Matchmaking of Money

At the California Pen Show in February I headed directly to the Plotter table to take another look to try to figure out if one would fit my needs. After a few minutes I decided the answer was still no and turned to the M. Lovewell table across the aisle where I saw several inks from Ka-Ku, a brand I'd never seen before. There weren't swatches for all the colors but a yellow ink called "Matchmaking of Money" really caught my eye. Next to "Matchmaking of Friendship" (another excellent color that I did get later in the year) and "Matchmaking of Love" it may not have been the best match for my life priorities, but it 100% was a match for helping kick off my year of yellow. I loved exploring several offerings from this brand last year such as Cafe Noir and Pistachio, but this interesting, usable yellow is a special one.

A bottle of golden yellow fountain pen ink from Ka-Ku called Matchmaking of Money next to a swatch card for the ink.

Ink #3 Lennon Tool Bar Brown Sugar

Another ink that caught my eye at the M. Lovewell table at CAPS was Lennon Tool Bar Sesame Oil, a toasty light brown ink that I'd been hearing a lot about so I grabbed a bottle and was not disappointed. However, right near that was another brown that I was not expecting, a rich dark gray-brown that just rocketed into being an all-time favorite brown.

A page of swirled ink swatches next to a bottle of Lennon Tool Bar Brown Sugar and a swatch card for the gray brown ink.

Ink #4 Vanness x Robert Oster Hemp

This ink is actually a surprisingly rare shade of green in my swatches. One of the inks in the 2024 Colorvent, NGC 2264, is the closest but for all the green inks I have, this stands out. I've had this ink in a pen with material made by the person who made sure I tried out this ink—I love that connection, and he wasn't wrong. I've really enjoyed this rich green that doesn't sheen over with red, especially with the Kodachi grind on this nib.

A spiral notebook with writing and ink swatch for a rich green ink called Robert Oster Vanness Hemp, next to a turned resin fountain pen in swirled green and white being held by a green crab pen rest.

Ink #5 Anderillium Moray Eel Green

I enjoy the themed sets of Anderillum inks, and the newest collection is Ichthyoformes. This murky yellow green is a great color that I particularly enjoyed pairing with my Franklin-Christoph Model 46 in Olivae. The fine SIG nib on this pen really worked with the shading in this ink, I've inked up this combo multiple times. Anglerfish Deep was another standout for me.

Small jam jar ink bottle of rich yellow green Anderillium Moray Eel Green fountain pen ink next to a translucent yellow-green Franklin-Christoph P46 fountain pen, Col-o-dex swatch card with sketch of an eel, and Iroful swatch card.

Ink #6 Inkdependence x Diamine Trust a Bivalve / Don't Trust a Bivalve

Trust a bivalve or not, that is the question. I'm going to cheat here and leave the question unanswered to squeeze this pair (technically a trio) of inks into this list. If you've joined Inkdependence Mike and Audrey on YouTube for Friday streams you may have participated in this debate, now represented by custom Diamine inks (and stickers!).

Two stickers with cartoon sketches for Trust a Bivalve and Don't Trust a Bivalve with three Col-o-dex swatch cards with similar sketches for the corresponding Diamine inks, the warm taupe Trust a Bivalve and medium gray blue Don't Trust a Bivalve.

I really enjoy the taupe and soft blue shades of these inks. I might be undecided when it comes to using bivalves to monitor water quality—but happily using both of these colors, especially on the perfect page in the Dominant Industry Ink Archiving Book: A Log of Atlantis.

A page featuring various bivalves painted with fountain pen ink in the Dominant Industry Ink Archiving Book: A Log of Atlantis book.

Ink #7 Colorverse Do-dong Forest

Green may be my favorite color, but I don't love every shade of green. This slightly gray green is right in the pocket though, and I love all the character that came out in the sketch on a Col-o-dex swatch card.

A Col-o-dex ink swatch card for Colorverse Do-dong Forest, a medium gray green with yellow undertones, with a sketch of a forested island and dock on the water.

Ink #8 Dominant Industry Twilight Garden (Scented Inks)

This is another case where it's really a trio of inks that are memorable—these three scented inks from Dominant Industry are all floral scents meant to represent a top note, middle note, and base note. Sometimes scented inks can be feathery but these have performed well on a variety of papers. The scent is very present as the ink is used, but doesn't linger on the page. One thing I have not tested is whether the scent might linger in a pen after it's been inked with one of these.

Glass bottles of Dominant Industry fountain pen ink for the light blue Bog Sage, the bright yellow Ylang Ylang, and the gray pink Druftrausch next to a page of Tomoe River with swatches of the inks.

Bog Sage is an intriguing light blue, but has the least pleasant scent. Ylang Ylang is a vibrant yellow that has a bright floral scent. Duftrausch is rose-scented which might be the most appealing, and a unique pink and blue gray chromashader. I was happy to see that these scented inks performed well for writing, but the colors I was able to get using and mixing these inks on a page in a Dominant Industry book made this one of my favorite painted pages also.

The Dominant Industry Ink Archiving Book: A Log of Elixir open to a page with a water garden filled with birds painted with Dominant Industry inks.

Ink #9 Wearingeul The Star Child

I like an interesting combo of shimmer and ink shades, and this dark rusty orange with pink shimmer is striking and fun. Colorverse has often had the interesting pairings that catch my eye but Wearingeul got me with this one.

A swatch of Wearingeul The Star Child ink in the sun, showing the bright pink shimmer shining in the rusty orange ink.

Ink #10 Kitty Inkpot Gramophone That Can Only Rewind

A bunch of interesting chromashading inks from brands including Kitty Inkpot started spreading through inky communities online—I wasn't an early adopter, but took advantage of a group buy to check out several inks from Kitty Inkpot and also Hosia.

A disc-bound swatchbook open to two pages of swatches of chromashading inks from Kitty Inkpot, with the related bottles and samples of ink and five Col-o-dex swatch cards for Birds and Cicadas Listening in the Rain, Snake and Good Harvest, Gramophone That Can Only Rewind, Misty Lighthouse, and Elegy of the Fallen.

I'm cautious when using inks from a newer brand that I don't know much about, but it's been fun to explore combinations of chromashading colors that I've never seen before. These inks have interesting names and can vary widely based on paper or light, and are difficult to capture accurately in photos. One of the most interesting has been Gramophone That Can Only Rewind, which on Tomoe River paper has shades of gray, blue, and purple. Elegy of the Fallen might be my favorite name in this bunch, with pink and green shades that remind me of succulents.

Ink #11 Kobe Akashi Museum Gold

Spoiler alert, this will not be the only Kobe ink on this list. It seems that's what happens when you visit the Vanness Pen shop in person (...maybe it's just me). I picked out this ink during my first of three visits to Little Rock in 2025, I love that Lisa Vanness has made these special releases available in the US.

A Col-o-ring and Col-o-dex card for Kobe Akashi Museum Gold, a dark yellow green that looks like burnished gold, and a hand-carved fountain pen with matching gold and green shades.

This greenish dark gold happened to pair perfectly with another acquisition from a trip to Arkansas, my second D² Arts pen—I love this combo.

Ink #12 Sailor Yukiusagi

2025 was a year without any new Manyo inks, but I did pick up one of the new Shikiori lines. Yukiusagi stood out with the way it shades gray and blue. This ink is striking, particularly from a Sailor Pro Gear Slim broad nib in my Hobonichi weeks.

A swatch page for four Sailor Shikiori inks in dusty pink, leafy green, gray brown, and gray blue, with the corresponding ink bottles, and a Col-o-dex swatch card with a sketch of snow bunnies.

Ink #13 Diamine Vivaldi

This purple Micarta pen has had me really enjoying several excellent purple inks, and since it's a pocket pen with limited capacity I've cycled through several of them. One of my favorite pairings so far is the Diamine music series ink, Vivaldi. The dark, dusty shade that leans slightly red is one of my favorite shades of purple and was one I refilled at least once before switching to a different color.

A swatch and writing sample page of multiple dark purple inks with the dark, dusty purple Diamine Vivaldi in focus, and a Crazyfiber purple micarta pocket pen uncapped with a lilac nib and dark gray purple metal section resting on the page.

Ink #14 The Wet Pen Everett Massacre #2

The Wet Pen released several new inks this past year and I picked up Giant Pacific Octopus and Everett Massacre #2. You would think I'd be writing about the octopus ink that changes colors from brown to purple shades depending on the amount of ink and paper (which is very cool) but Everett Massacre #2 makes the list because of how surprised I was to really enjoy using this dark, bloody ink. Reds and pinks are usually at the bottom of my preference list—until you start making them dusty, dark, or moody. Inadvertently, I inked this up in my mini TWSBI Vac—a notably clear pen that fully showed off the bloody red shade—and wrote it dry.

A page and Col-o-dex cards with swatches of The Wet Pen Everett Massacre #2 and Giant Pacific Octopus next to the glass bottles of the inks, and a TWSBI Vac Mini filled with the dark red ink.

Ink #15 Lennon Tool Bar Miscanthus Hills

This is the first shimmer ink I tried from Lennon Tool Bar. After being slightly concerned by the sound coming from the box (there are tiny ball bearings in the bottle to help mix up the shimmer particles), I was mesmerized watching this ink in the bottle. When the shimmer settles it's an unassuming dark brown shade, but transforms into liquid gold when swirled around.

A glass bottle of golden brown fountain pen ink with shimmer in the sun with swirled swatches out of focus in the background.

This ink is on the lighter side but still one of the prettiest representations of a gold ink that I've seen.

A closeup of the soft shimmery gold ink swatch of Lennon Tool Bar Miscanthus Hills.

Ink #16 Van Dieman's Natura Dualis Harvest Tide

The Van Dieman's Natura Dualis chromashading inks were another popular release in 2025. A friend generously shared samples of all of these with me to check out, and I was surprised at how many of these were not really that close to my other chromashading ink swatches. I think this is in part because these inks are lighter or brighter than similar shades. I've picked Harvest Tide as most memorable to me because the light yellow green with dusty pink is an interesting, earthy shade. You'll want a pen that puts down a lot of ink to use this for writing.

Eight Col-o-dex ink swatch cards with sketches for the Van Dieman's Natura Dualis inks Underflow, Sea Spray, Harvest Tide, Riverbank, Overcast, Daybreak, Nightfall, and Last Light.

Chromasading inks are some of the most fun inks to sketch with, and these were no exception.

Ink #17 Papier Plume Caramel

After being disappointed by another ink in this shade, Caramel really hit as a beautiful ink. I started picking up a few of Papier Plume's standard colors once they were being stocked locally at The Gentleman Stationer. This ink is not new, not particularly fancy, just exactly what I was looking for in a warm yellow brown shade.

A trio of ink swatches on different paper for the golden yellow brown Papier Plume Caramel ink, with the signature bottle and an acrylic fountain pen with brown, light brown, and blue swirled material.

Ink #18 Kobe #45 Hachibuse Silhouette Green

Starting with visiting the Nagasawa table at the California Pen Show, I went a lot further down the Kobe and Onomatopoeia inks rabbit hole last year. Before one of my visits to Vanness Pens I made a short-list of Kobe inks to look at and most of them ended up being a shade of green. In some swatches it can be difficult to tell them apart, but what kind of inky octopus would I be to not study the subtle nuances? After looking at the swatchbook and what was in stock, I narrowed down my list and this green black is dark but has a lot of character that I was pleasantly surprised by.

Seven Colorverse ink swatch cards with various plant and flower designs and swatches of different green Kobe inks, plus an extra swatch of the dark green black Kobe #45 Hachibuse Silhouette Green.

Ink #19 Bungubox Ebisu

Bungubox is another brand noted for a highly-curated range of colors and a unique bottle shape. These are pricey, so while I've looked at them often at pen shows I didn't buy a full bottle until I looked at all the swatches again at Vanness Pens and picked out Ebisu. In the past Fujiyama Blue was the signature shade I thought of with Bungubox, but Ebisu fits my autumnal vibes better and I'm very happy with my choice for a full bottle. (I got a sample of Fujiyama Blue to explore more this year.)

Three swatch cards for the warm golden yellow Bungubox Ebisu ink and the signature 'boot' shaped glass bottle.

Ink #20 Kobe #68 Nishimaiko (Maiko-West) Pearl Blue

I first purchased a sample of this ink a couple of years ago, and this particular shade of light gray blue has stuck with me and I considered getting a full bottle multiple times. As I dug more into the Kobe inks and was trying to decide on new colors to try, this one persisted and I got the bottle. This is the sort of ink I'll reach for with pens that aren't very unique but have a good nib like my standard Diamond Black Platinum 3776. However, I decided I wanted to get a "regular" Pilot nib and chose the Pilot 74 in Blue Stone with a fine nib, which is a good color match with this ink.

A Col-o-dex ink swatch card for the light blue gray Kobe #68 Nishimaiko (or Maiko West) Pearl Blue ink, next to the glass ink bottle and a Pilot 74 fountain pen in a similar gray blue shade.

Ink #21 Laban Hera Dark Green

Laban is a brand that I was only slightly familiar with and wanted to get to know better. I'd flipped through the swatches of the Mythology series often and expected Hera to be a good representation of a popular dark teal shade, but it turned out to be more interesting than I expected, leaning blue and showing a lot of character even in the fine nib in my TWSBI Diamond 580ALR Prussian Blue pen.

A paper swatch and Col-o-dex ink swatch card with a sketch of the box art for Laban Hera Dark Green, a blue-leaning teal.

Ink #22 Lampwork Museum Maroon

Oh look, another Kobe ink. The theme of this one drew me in as much as the color. I've loved glass work since I was a kid going to the Corning Glass museum in New York, where I remember watching artisans do lampwork demonstrations. My collection of really nice glass pens has been growing as well. This is a rich maroon with occasional hints of purple.

Pen tray with four nice glass dip pens next to a swatch card with a sketch and the ink bottle and box for Kobe Lampwork Museum Maroon.

Ink #23 Papier Plume Honey Island Swamp Monster

For the last few years I've participated in an "inkvent" swap through the Pen Addict slack and received a lot of interesting inks. One special edition ink that I was excited to get a sample of was Papier Plume Honey Island Swamp Monster. This is a very pleasant swampy green.

Col-o-dex and Col-o-ring ink swatch cards for the dusty medium green Papier Plume Honey Island Swamp Monster Ink and an ink sample in a plastic capped syringe.

Ink #24 Sailor Pen & Message Cigar

Cross one more really cool bottle of the list—this ink was a lovely surprise. It reminds me a lot of my sentimental favorite ink, Sailor Shirakashi, but in a slightly different shade. The ink starts out more blue but turns green with a rusty sheen as it dries. Some papers will show less sheen or retain more of the blue shade, giving this ink a lot of variety and character.

Sailor Cigar fountain pen ink in a vase bottle with the box and a couple ink swatches including a Col-o-dex card with a sketch of a cigar and a lot of rusty sheen and Graphilo paper where the ink is more blue green.

Ink #25 Colorverse Colorvent 2025 Erebus Crater

For 2025 I decided to stick with just one inkvent offering—the second year of the Colorverse Colorvent calendar. I actually was able to explore every ink with multiple swatches and painting in four batches of six in the Dominant Industry Ink Archiving Book in December. My favorite ink was Erebus Crater, a really unique chromashading ink. There's a lot of variation when writing but it really splits into a rainbow of color when a little water is added to paint with it.

Swatch page and Col-o-dex card with sketch for Colorvese Colorvent Day 3 Erebus Crater ink, a complex chromashader with grays, blues, greens, purples, etc. next to a Franklin-Christoph P66 in Antique Glass material filled with the same ink.

Also, like many I was surprised at the offering for Day 9, a whole 15ml bottle of shimmer additive ("Gleamix") called Morning Frost on Mars that lets you make your Colorvent experience as festive and sparkly as you like. I ended up mixing this in with 6 inks from different days—every combo was interesting and since the shimmer mix included a few different colors it took on different character in each ink.

Collage of six different Colorverse inks mixed with the Morning Frost on Mars shimmer additive in shades of rich red, reddish orange, bright yellow, dark gray, chromashading light gray, and dark indigo black.

The first ink I mixed it with was Erebus Crater, which I put into a Franklin-Christoph Antique Glass Pocket 66. The cursive nib that is usually in this pen was swapped out for a broad nib to really let this ink show off. I was disappointed that none of the interesting chromashaders made the top three from the first Colorvent calendar, but I really hope this one makes the cut.

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